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 電驢下載基地 >> 图书资源 >> 人文社科 >> Emil Gilels -《柴可夫斯基:第一號鋼琴協奏曲》(Tchaikovsky - Piano Concerto 1)
Emil Gilels -《柴可夫斯基:第一號鋼琴協奏曲》(Tchaikovsky - Piano Concerto 1)
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Emil Gilels -《柴可夫斯基:第一號鋼琴協奏曲》(Tchaikovsky - Piano Concerto 1) 簡介: 專輯英文名: Tchaikovsky - Piano Concerto 1 專輯中文名: 柴可夫斯基:第一號鋼琴協奏曲 別名: 萊納(指揮)芝加哥交響樂團 藝術家: Emil Gilels 古典類型: 全集作品 發行時間: 2002年09月19日 地區: 美國 語言: 英語 簡介: 專輯介紹: 吉利爾斯(鋼琴) 弗雷茲‧萊納(指揮)芝加哥交響樂團 名鋼琴家與名管弦樂團結合的優美柴可夫斯
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"Emil Gilels -《柴可夫斯基:第一號鋼琴協奏曲》(Tchaikovsky - Piano Concerto 1)"介紹
專輯英文名: Tchaikovsky - Piano Concerto 1
專輯中文名: 柴可夫斯基:第一號鋼琴協奏曲
別名: 萊納(指揮)芝加哥交響樂團
藝術家: Emil Gilels
古典類型: 全集作品
發行時間: 2002年09月19日
地區: 美國
語言: 英語
簡介:

專輯介紹:
吉利爾斯(鋼琴)
弗雷茲‧萊納(指揮)芝加哥交響樂團
名鋼琴家與名管弦樂團結合的優美柴可夫斯基。
"第一號鋼琴協奏曲"是當時蘇聯名鋼琴家吉利爾斯再西方首度亮相時的錄音作品,她的神韻豐富,演奏技巧具有鋼鐵般的強度。在萊納所指揮的芝加哥交響樂團精確無誤的支援下,將全曲導入精彩的最高峰。
「胡桃鉗」選粹,曲數方面要比通常的組曲來得多一些,萊納針對演奏會用途,獨自選曲,以芭蕾音樂的演奏順序展開,時間大約有40分鐘左右。
唱片公司:索尼音樂
作曲家:柴可夫斯基指揮:弗瑞茲‧萊納
演出者:吉利爾斯
樂團:芝加哥交響樂團
系列:Living Stereo 發燒名盤系列
音樂類型:古典音樂
唱片編號:09026685302
Performer: Emil Gilels
Orchestra: Chicago Symphony Orchestra
Conductor: Fritz Reiner
Composer: Tchaikovsky
Audio CD (November 19, 2002)
Number of Discs: 1
Label: Sony Classics / RCA Victor
ASIN: B000003G3W
5.0 out of 5 stars Nearly flawless July 4, 2004
By M. Fisher
Format:Audio CD
I have 8 recordings of Tchaikovsky's 1st by Gilels; I would say this one ranks in Gilels' top 3 (of his recorded performances). The orchestral accompaniment Gilels' receives from Reiner and the Chicago is better than first-rate (if that is possible!).
One of the previous reviewers mentioned distracting tape splicings, but they are hardly noticeable, even on high-end equipment and unforgiving headphones. Of the easily available Gilels' recordings of the 1st, buy this one! Gilels certainly eclipses Cliburn and Horowitz in this work (Richter isn't on the map).
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4 of 4 people found the following review helpful
5.0 out of 5 stars A performance for the ages May 17, 2010
By Jurgen Lawrenz
Format:Audio CD|Amazon Verified Purchase
There is no such things as a definitive performance. But one can say that some performances are so utterly convincing that you are left with a feeling "as if" this must be definitive. The present recording is one of these rare occasions.
Most people who have ever written on it seem to agree. It is true that there is evidence of some splicing; and as a reading of the work, it may not be as "perfect" as one or two of its rivals where every note is absolutely in the right place. What I mean is that the SPIRIT of this performance is such as to invite you to participate in an occasion, an adventure. It is not a picture postcard of an event, but the real thing. This is what's so exciting about it.
This is not even mentioning the wonderfully crafted "fill up", a very generous selection from the Nutcracker ballet.
Gilels recorded this work several times, and the difference to the other stereo recording in print is evident instantly. Just play the first 10 seconds from the Gilels/Maazel recording and then this one: RCA in 1955 (!!) captured a cleaner, better, richer sound than EMI engineers 20 years later. So you are instantly captivated by the sound alone; and then follows the recognition of a performance with tremendous sweep and boldness. I have to say that Reiner is definitely instrumental in helping this along: he was a far better conductor than Maazel could ever aspire to.
In a word: don't worry too much about niggling imperfections. This is a performance for the ages. It will stand as a beacon to the possibilities of transmitting a sense of greatness via recordings that had few equals in the 100 years that we have been making records. I might add, lest you think I'm just carried away by it, that I have been living with this recording (on LP) since about 1960 and had something like 22 rival version in my collection at one time. None of the others convey that same aura of magnificence. American music lovers who evince a hankering for Cliburn Tchaikovsky: Piano Concerto No. 1; Rachmaninoff: Piano Concerto No. 2 [Hybrid SACD] would find non-Americans immured to it. It is not a great performance, just a great sentimental occasion.



[Upper] Chicago Symphony Orchestra, Fritz Reiner, conductor Date: 1955
[Lower Left] Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emiľ Grigoriević Gileľs; October 19, 1916 – October 14, 1985) was a Soviet pianist. He is widely considered one of the greatest pianists of the twentieth century. His last name is sometimes transliterated Hilels.
[Lower Right] Frederick Martin “Fritz” Reiner (December 19, 1888 – November 15, 1963) was a prominent conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States, in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s.
專輯曲目:
01. Concerto No. 1 In B-Flat Minor, Op. 23: Allegro non troppo e molto maestoso
02. Concerto No. 1 In B-Flat Minor, Op. 23: Andantino simplice
03. Concerto No. 1 In B-Flat Minor, Op. 23: Allegro con fuoco
04. The Nutcracker, Op. 71 (Excerpts): Overture
05. The Nutcracker, Op. 71 (Excerpts): Christmas Tree Scene
06. The Nutcracker, Op. 71 (Excerpts): March
07. The Nutcracker, Op. 71 (Excerpts): Divertissement - Chocolate: Spanish Dance
08. The Nutcracker, Op. 71 (Excerpts): Divertissement - Coffee: Arabian Dance
09. The Nutcracker, Op. 71 (Excerpts): Divertissement - Tea: Chinese Dance
10. The Nutcracker, Op. 71 (Excerpts): Divertissement - Trepak: Russian Dance
11. The Nutcracker, Op. 71 (Excerpts): Divertissement - Dance Of The Flutes
12. The Nutcracker, Op. 71 (Excerpts): Divertissement - Mother Gigogne And The Clowns
13. The Nutcracker, Op. 71 (Excerpts): Waltz Of The Flowers
14. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Dance Of The Prince And The Sugar-Plum Fair
15. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Variation 1: Tarantella
16. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Variation 2: Dance Of The Sugar-Plum Fairy
17. The Nutcracker, Op. 71 (Excerpts): Pas de deux - Coda
18. The Nutcracker, Op. 71 (Excerpts): Final Waltz
19. The Nutcracker, Op. 71 (Excerpts): Apotheosis
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