導讀： 簡介: 內容介紹：《Photoshop CS4攝影師專業技術教程》已經成為了攝影師的必讀教材。而目前這本最新的《Adobe Photoshop CS5 for Photographers》也已經於2010年5月27日美國出版，並一舉成為美國亞 簡介:


內容介紹：
《Photoshop CS4攝影師專業技術教程》已經成為了攝影師的必讀教材。而目前這本最新的《Adobe Photoshop CS5 for Photographers》也已經於2010年5月27日美國出版，並一舉成為美國亞馬遜全五星圖書，繼續延續該系列之輝煌。無論你是高手還是新人，在本書中都能找到很多有用的技巧與建議，有助於你熟練使用PS，快速提高PS水平。
當你還在為自己的作品苦思冥想時，在本書中的建議一定會給你帶來靈感。
從配色到構圖，由簡入深，本書一步步深入淺出的指導，一定會助您成為一名PS高手。
With the new edition of this proven bestseller, Photoshop users can master the power of Photoshop CS5 with internationally renowned photographer and Photoshop hall-of-famer Martin Evening by their side. In this acclaimed reference work, Martin covers everything from the core aspects of working in Photoshop to advanced techniques for professional results. Subjects covered include organizing a digital workflow, improving creativity, output, automating Photoshop, and using Camera RAW. The style of the book is extremely clear, with real examples, diagrams, illustrations, and step-by-step explanations supporting the text throughout. This is, quite simply, the essential reference for photographers of all levels using Photoshop.
作者介紹：
　　Martin Evening是一位居住於倫敦的專業攝影師，他專注於時尚和漂亮照片的攝影，同時也從事專題寫作。作為一名聲名遠揚的Adobe Photoshop和攝影方面的專家，Martin全程參與了Adobe Photoshop Lightroom系列軟件的開發。
章節介紹：
Chapters 1-2 are more of an introduction to the changes and new features that come with Adobe Photoshop CS5, as well as a guide to the physical layout of Photoshop interface. You will also see how to configure Photoshop to optimize your computer system as well as what sorts of accessories are needed to help you in your work.
Chapter 3, Camera Raw Image Processing, has really grown and taken on a life of its own. Because you can process your JPEG and Tiff as well as your RAW images and do so much more, a significantly larger chapter is devoted to the subject. Chapter 4, Sharpening and Noise Reduction, examines pre-sharpening your photos in Photoshop. This topic was all but untouched in previous versions, but now with the changes in Camera Raw, it is become much more important.
Chapter 5, Image Editing Essentials, now gets into specifics about editing a photograph outside of Camera Raw. There are some techniques that overlap, but this also works with images that have never been near to Camera Raw. Here you will learn about the fundamentals of image editing. Chapter 6, Black and White, shows you how to create black and white images from original color images. It also goes into cross process looks as well as infrared effects, and other darkroom related techniques.
Chapter 7, Extending the Dynamic Range, is all about capturing the greatest range of tones from the minimum shadows to the brightest highlights and in this chapter you will look at various techniques for accomplishing this. Chapter 8, Image Retouching, examines the basic techniques for modifying an image to enhance your photographs. These include working with the Clone Stamp tool, the Healing brush, the Patch tool, Liquefy tool, and many more.
Chapter 9, Layers, Selections, and Masking, looks into what it takes to make composite images that use different image elements to create something totally new. This all begins with making selections and working with channels. Chapter 10, Essential Filters for Photoshop Editing, gets into one of the more powerful features of Photoshop; the plug-in filters. Instead of trying to look at all of the hundred or so filters that are in Photoshop, you will focus on the 15 or so that are useful for photographic work.
Chapter 11, Image Management, is all about the use of Adobe Bridge to allow you to preview images, choose the one you want to open in Photoshop, perform ranking, add metadata, and other basic file management tasks. Chapter 12, Color Management, will introduce you to the basic concepts of color management and look at the color management interface of Photoshop.
Chapter 13, Print Output, is the printer version of color management. Here you will look at what it takes to get images to print so that they look like what you have on the screen. Chapter 14, Output for the Web, shows that unlike the printer, you have no control over who will see your work on the Web, and therefore, no control over how the image is viewed. Here you will see how best to output online. Chapter 15, Automating Photoshop, looks at how you can speed your work by using keyboard shortcuts, creating actions, and how to use scripts to automate Photoshop.