中文名: 數字電影成像和數碼後期制作流程工具
英文名: ASSIMILATE SCRATCH
資源格式: 壓縮包
版本: V6.1.723 X64
發行時間: 2012年
制作發行: ASSIMILATE Inc.
語言: 英文
簡介:


ASSIMILATE SCRATCH是最全面的數字電影成像和工作流程的數碼後期制作工作流程工具。專為滿足獨立紀錄片導演獨特的DI工作流程挑戰，以及精品後期制作，劃傷匯集播放，符合編輯，調色配光，字幕，合成，並整理成一個單一的，一致的界面，最大限度地提高創造力和生產力。
有數以百計的故事片和紀錄片制作依靠SCRATCH，因為它是第一個支持本地的RED和文件，而是因為它是唯一的直接投資工具，它提供了功能的需要，以滿足獨特的挑戰實時質量，支持Mac、支持多層視頻軌、網格變型、更強的色彩分級更強的跟蹤,性能和廣度提出了嚴格的品質與現實預算。
　　Scratch是優秀的數字中間片系統，其核心功能包括核心功能包括實時、多分辨率、回放/預覽、套對/剪輯、套底、顏色校正、音頻拖放、視覺特效（集成Speedsix Monster特效）、數據管理和電影成片，導演、制片可以直接在數字投影上觀看更改結果，整個後期制作過程能夠保持直觀的控制，支持從EDL套對、修剪、VFX、色彩管理到輸出不同發行版本等完整的圖像處理能力，成為目前最出色的整一、有效的數字中間片解決方案，適合包括從主流的電影制作，後期公司到獨立電影和專業的後期機構等廣泛的應用范圍。
　　Scratch支持ARRI、KODAK、IMAGICA、Pandora等色彩管理系統，支持1D和3D LUTs，獲得膠片到數字的精確色彩控制能力。
　　Scratch內置了世界上最強大的Speedsix Monster插件，包含其所有特效，並且支持Primatte摳像，可以完成復雜特技。
主要功能包括：
數據中心
　　SCRATCH有一種新的文件結構和層級結構以獨特的行為方式運行數據中心模塊，一個項目能夠任意套對EDL，或者SCRATCH可以通過CONstruct模塊指向本地存儲、SAN等。
CONstruct環境
　　利用CONstruct環境，藝術家可以全面預覽他們的項目，項目可以分組和到CONstruct裡面，創作工作層級，在不同通道數目中顯示序列，比如時間線、鏡頭通道或者自由組合。CONstruct提供一個直接可視的數據結構和分級設置的描述方式。
數據管理
　　通過CONstruct，SCRATCH能夠簡單跟蹤組織大量的電影和項目文件，因為SCRATCH是一個數據中心，多產品輸出能夠產生一些文件，包括故事片、預告片和其他版本，SCRATCH通過對XML的支持，用戶能夠整合到現有的工作流程以及系統當中，SCRATCH同樣提供自動處理大量數據的功能。
預覽回放
　　完全可配置播放器允許回放和預覽全部時間線和個別鏡頭，以單獨用戶方式控制鏡頭顯示，用戶能夠同時回放兩個鏡頭，全部是真正的實時2K，不是代理！
套對
　　SCRATCH能夠基於DPX文件頭信息套對裝配時碼，另外，FLX、ATN、ALE或者其他標准的電影剪輯表都能夠轉換為一個XML文件，SCRATCH能夠和用戶交互地後台套對，XML能夠讓用戶創建時間線，從SAN復制文件等。
搖移/縮放
　　SCRATCH支持實時搖移、縮放以及重定格式。
剪輯
　　在復雜的剪輯時間線獲得簡單易懂的套對和剪輯功能，剪輯時間線能夠簡單識別不同鏡頭分離為片斷，比如，你的配光鏡頭是區別其他鏡頭的獨特特征。
配光
　　實時2K和4K初級教色，完全10 bit log配光是SCRATCH的主要功能之一，實時電影質量增強工作能力的精確度，提供非常好的最終表現結果，一旦完成，與渲染結果相當，用戶能夠越過時間線直接得到電影的項目預覽。
完全的顏色校正工具允許Gamma調整、lift、增益、偏移、色調、飽和度和亮度，這些工具能夠在全畫面或者在定義區域交叉應用，自動校正功能允許逆回先前的定義值。
LUT和色彩管理
　　支持1D和3D LUTs，3D LUTs支持128x128x128非線Color Cube。
SCRATCH同樣支持下列色彩管理產品：
——KODAK：KODAK Display Manager System
——IMAGICA：GALETTE Color Managment System
——Pandora：Pogle Color Correction Systems (LUT formats a3d、m3d)
視覺特效
　　後期處理能夠非常容易將特效應用與鏡頭和編輯過程，甚至在實時回放的時候。SCRATCH特效包括從鏡頭片斷重定格式、比例縮放、重定畫幅尺寸、輸出格式、裁切和blanking，控制可以自定義特效庫。SCRATCH同樣提供畫筆和壓感能力。






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SCRATCH® is the most comprehensive digital cinema imaging and workflow tool for digital post-production workflows. Designed to meet the unique DI workflow challenges of independent and documentary filmmakers, as well as boutique post-production houses, SCRATCH brings together playback, conform, editing, color grading, titling, compositing and finishing into a single, consistent interface that maximizes both creativity and productivity.
Hundreds of feature and documentary productions have relied on SCRATCH not only because it was first to support native RED and files, but because it is the only DI tool that offers the quality, real-time performance and breadth of features needed to meet the unique challenges presented by uncompromising quality vs. realistic budgets.
SCRATCH in Film benefits:
Designed for file based workflows.
ASSIMILATE was the first DI partner to natively support RED, so it’s no surprise that SCRATCH is the most mature, reliable tool you can buy for digital workflows. SCRATCH offers a unique CONstruct™ view of your shots supports multiple, side-by-side playback and color grading of any number of formats in any resolution to 5k and beyond - even mix 2D and Stereo/3D. Try an unlimited number of versions without having to render each time.
Digital tools for the entire post-production workflow.
SCRATCH delivers real-time data management, to dailies playback and review, extremely flexible conform, advanced color grading, unlimited versioning, titling, compositing, finishing and mastering to a variety of formats, SCRATCH is your one-stop solution throughout the entire post-production pipeline.
Fast, and highly interactive.
SCRATCH delivers the raw performance that inspires a new level of collaboration with your clients. Play and review multi-resolution shots side-by-side and in real-time. Experience incredibly fluid, responsive grading and finishing sessions, and use the time you save to refine your scenes and create the looks that set you apart.
Unmatched flexibility.
SCRATCH is highly extensible. Seamlessly integrate with other tools in your workflow such as Nuke, extend dailies sessions for remote review and comment or create the kind of automated workflows and client tools that, until now, only the biggest facilities could afford.
Mac or PC: same price.
Virtually all of the features of SCRATCH are available on either Mac OS® X or Windows 7- at the same price*. You can choose the OS and hardware that best meets your requirements for portability, design or performance/scalability, without the penalty of a different software price.
SCRATCH features include:
Full resolution support for RED RAW, ARRI RAW, Panasonic, DLSR and all other popular camera formats
Featuring unmatched real-time performance and reliability, SCRATCH removes the risk and frees the filmmaker and DP to get the most from a high-resolution digital shoot.
REDCODE RAW.r3d (including HDRx)
ARRI RAW
Phantom
SI2K
Panasonic P2/MXF and AVCHD
Canon 5D
Support for the latest RED color science, dual RED Rocket acceleration cards, and RED’s new EPIC camera
Full resolution, real-time debayering of .r3d files
RedCine and on-camera color settings can be read and manipulated within SCRATH and augmented using SCRATCH's powerful color tools
Powerful finishing tools
Shot Versioning: SCRATCH CONstruct manage multiple versions of the same 2D or 3D shots within the same timeline for easy comparison
Vector paint
Subtitling support
Apply third-party plug-ins to create a wide range of visual effects
Direct Output: Real-time tools for frame-rate conversion, image-resolution scaling and frame-accuracy to monitors, projectors and tape decks using both DVI and SDI interfaces
Multiple Deliverables: Create alternate versions in different resolutions, image formats and framing, all from a single source
Fast, highly interactive color grading
Real-time, non-destructive primary and secondary color grading
Heads-up color grading interface and support for Avid Artist Color panel series, Tangent Wave and Tangent CP200 Panels
Source-side adjustments for mixed color space workflows
Match and auto grading
2D and shape tracking
Keying based on Vector, Chroma or Luminance
Controls for finessing keys
Integrated Histogram, Waveform, Vectorscope and Color Curve views
Group shots, copy/paste color grades and reference libraries
Key frames and animation curves
Import and save 1D and 3D LUTs based on primary color grades
High-speed conform and confidence checking
No other software offers the range of tools for quickly conforming and checking against a reference clip.
Mix-and-match RED.r3d files with ARRI RAW or Phantom (or any other media format recognized by SCRATCH), even Canon DSLR, within the same resolution-independent timeline
Dual-View, Half-Mix and Side-by-Side comparison options
Quick Keys for moving through a timeline and edit tools for shot manipulation,
AAF import and MXF integration
Import and export ALE
Final Cut Pro XML import
Shot log metadata import
Metadata search
Stereoscopic 3D versioning
CDL support
Output to multiple file formats such as DNxHD, DPX, ProRes (Mac OS version only) Tiff, JPG, Quicktime, MXF and more
Export with timecode and metadata
Multilayer timeline
Advanced audio sync
Broadcast wave support
Sync to timecode or clapper
Interactive waveform for sync
Interactive audio scrub
Stereo 3D workflow support
Imagine the creativity of a full stereo workflow that provides consistent, intuitive feedback during the conform, color grading and finishing process. Stereo image pairs are automatically linked for versioning and real-time playback to a wide variety of stereoscopic delivery systems
Check and adjust stereo with dedicated link and convergence controls
Bicubic controls for fixing 3D stereo images
Position elements relative to the screen plane
Immediately review decisions in stereo
Panasonic 3D stereo camera support with automatic stream de-muxing
Flexibility and extensibility
Future-proof your workflow with an advanced and scriptable XML back-end that allows you to:
Automate SCRATCH to maximize productivity
Extend SCRATCH via HTML for remote review and comments
Integrate SCRATCH via XML with other tools in your workflow such as Nuke
Enhance SCRATCH with third party tools via a robust plug-in architecture
Built-in SQL database supports a full range of metadata
Automate deliverables by designing templates based on output format, metadata and LUTs/grades
System Requirements
SCRATCH and SCRATCH Lab are 64-bit optimized for high performance tasks such as, real-time playback, conform or grading of high resolution material. In order to fully enjoy the power at your disposal we recommend minimum levels of hardware. The key components to run SCRATCH at its best are Graphics, RAM and disk bandwidth.
Graphics
SCRATCH is CUDA accelerated and you should use NVIDIA Quadro 4000-6000 series graphics cards. Always check on the Assimilate support website for which driver to install for your card as not all drivers are tested.
RAM
You need a minimum of 12 GB of RAM.
Storage
Whether Direct Attached or SAN storage, bandwidth is a key factor in getting real-time playback performance. For example, if you wish to maintain 2K stereo real-time playback you will need to sustain 1000MB/sec. We recommend a 10 bay internal or external RAID storage for media files.
Other Considerations
RED r3d Decoding
SCRATCH can perform RED r3d decoding at various resolutions and de-bayer qualities to match the real-time performance of your computer hardware. If one, or two, RED Rocket cards are installed, full resolution and premium de-bayer quality of can be achieved (in stereo with two cards).
Grading Panel
SCRATCH can be driven from Tangent Devices CP200 or Wave and the Avid Artist Color Panel.
For PC
OS
SCRATCH is optimized for Windows 7, 64-bit operating system.
Processor
Single Xeon i5 or i7 is minimum spec. Recommend dual.
PCI-E
To add additional cards for SDI, Audio and Red Rocket Cards aim for as many x16 sized PCI-E slots as you can.
Monitoring
The NVIDIA cards offer dual DVI outputs, and Scratch allows you to configure the second as a full-screen output that will not have the user interface overlaid on it and can be used as a clean feed for projection, client monitoring or output to a tape deck.
SDI
For SDI monitoring and SDI playout you should purchase the SDI daughter card for the NVIDIA. This card has two BNC connections that can be configured as a single or dual link SDI output, and one video monitoring output as well as a BNC connection for external sync signals.
Audio
Stereo monitoring is available via the on-board audio (speaker) output. For “advanced” monitoring, including multi-channel audio, and playout to tape a professional audio card like the Lynx AES16e or a combination SDI/Audio card such as the BlueFish can be used. If you have purchased the NVIDIA SDI daughter card, there is no need for an additional audio card, as the SDI option also gives you embedded audio.
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³                   ASSIMILATE SCRATCH VERSION 6.1.723     - WIN64 -         ³
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³ Type..........: DIGITAL SOLUTION    ³ Packager......: TEAM XFORCE        ³
³ Publisher.....: ASSIMILATE INC      ³ Cracker.......: TEAM XFORCE        ³
³ Supplier......: TEAM XFORCE         ³ Release Date..: JUL 15 2012        ³
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³  Release notes..                                                           ³
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³   ---------------------------------------------------------------------  ³ 
³   SCRATCH is the most comprehensive digital cinema imaging and workflow  ³
³   tool for digital post-production workflows. Designed to meet the       ³
³   unique DI workflow challenges of independent and documentary           ³
³   filmmakers, as well as boutique post-production houses, SCRATCH brings ³
³   together playback, conform, editing, color grading, titling,           ³
³   compositing and finishing into a single, consistent interface that     ³
³   maximizes both creativity and productivity.                            ³
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³   http://www.assimilateinc.com                                           ³
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³  INSTALLATION:                                                           ³ 
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³  1. Unzip & Unrar, check Crack/install.txt                               ³ 
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³   Group News & Greetings..                                                 ³
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