"《藝術的命運-美感的疏離,從康德到德希達與阿多諾》(The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno)(J. M. Bernstein)英文影印版[PDF]"介紹
中文名: 藝術的命運-美感的疏離,從康德到德希達與阿多諾
原名: The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno
作者: J. M. Bernstein
資源格式: PDF
版本: 英文影印版
出版社: Pennsylvania State University Press
書號: 0271008385
發行時間: 1992年
地區: 美國
語言: 英文
簡介:

伯恩斯坦專注在四位關鍵思想家-康德、海德格、德希達與阿多諾-的作品上,並且對他們在藝術、美學與政治上的著作提供了一個有力的、嶄新的詮釋。
Bernstein focuses on the work of four key thinkers - Kant, Heidegger, Derrida and Adorno - and provides a powerful new interpretation of their writings on art, aesthetics and politics.
伯恩斯坦主張,今天我們的藝術體驗受到了失真的藝術功能的制約,隨著現代科學與技術理性的成長茁壯,藝術被貶抑為一種分離的、自成一格的美學領域。這種「審美疏離」的制約-即藝術與真理之間的不和諧-是現代性的分裂最顯著的記號之一。
Bernstein argues that our experience of art today is conditioned by the loss of the truth-function of art: with the growth of modern science and technological reason, art is relegated to a separate and autonomous domain of the aesthetic. This condition of 'aesthetic alienation' - the raging discord between art and truth - is one of the most perspicuous signs of the fragmentation of modernity.
[kant]

[Derrida]

[Adorno]

[截圖一]

[截圖二]

目錄:
Memorial Aesthetics: Kant's Critique of judgement 17
The genius of being: Heidegger's The origin of the work of art 66
The Deconstructive sublime: Derrida's The truth in painting 136
Constellations of Concept and Intuition: Adorno's Aesthetic Theory 188