中文名: Lynda.com出品利用Pro Tools 9制作影片或視頻的音頻教程
英文名: Lynda.com Audio for Film and Video with Pro Tools 9
資源格式: 光盤鏡像
學校: Lynda.com
主講人: Scott Hirsch
發行日期: 2011年
地區: 美國
對白語言: 英語
文字語言: 英文
簡介:

語言：英語
網址：http://www.lynda.com/Pro-Tools-9-tutorials/Audio-for-Film-and-Video-with/77862-2.html
類別：教程
（xuehui@TLF）
Lynda.com 出品的時長4小時59分鐘的利用Pro Tools 9制作影片或視頻的音頻教程。由專業音頻工程師Scott Hirsch演示了利用Pro Tools 9如何將從拍攝期間收集到的原始聲音，轉換並制作成一個令人難忘的影片或視頻的最終混音。內容包括如何設置和優化特有需求項目的Pro Tools session模板，錄制Foley和ADR音頻，音效層，進行音頻調正，比如降噪和變調，立體聲和5.1環繞聲的混合。以及音頻格式與交付最終作品，不管是用在DVD，電影院，廣播節目或web上。本教程附帶練習文件。

轉自TLF

目錄:
Introduction
Welcome 01m 03s
Using the exercise files 00m 40s
18m 37s
1. Getting Ready to Build Audio for Video
Understanding the new audio for video features in Pro Tools 9 05m 17s
Exploring the hardware requirements for Pro Tools 9 05m 19s
Understanding the audio components of a finished video 05m 22s
Understanding the audio production workflow 02m 39s
25m 10s
2. Working with a Video Project
Understanding video formats, SMPTE timecode rates, NTSC, and PAL 06m 21s
Understanding video formats, codecs, and pull-up/pull-down 05m 16s
Setting up your Pro Tools session for video 08m 44s
Exporting OMF and AAF files 04m 49s
32m 14s
3. Getting into the Audio for Video Workflow
Importing OMF and AAF files 08m 08s
Importing and the DigiBase browser 04m 00s
Conforming the OMF import to your template 06m 51s
Setting up groups and windows 06m 02s
Spotting film and using markers 07m 13s
47m 07s
4. Working with Audio for Video
Organizing the dialog tracks 05m 00s
Optimizing the dialog in the first pass 04m 30s
Using room tone 04m 10s
Creating fades to smooth out audio edits 05m 04s
Understanding sound effects, ambiences, and backgrounds 07m 12s
Sweetening and hard effects 06m 52s
Processing tips for sound effects 08m 46s
Bringing emotion to the mix with music tracks 05m 33s
15m 29s
5. Recording to Picture
Preparing the session for foley and ADR recording 09m 19s
Recording ADR and editing with VocALign LE 06m 10s
45m 05s
6. Learning Audio for Video Techniques
Noise-reducing hums, rumbles, and buzzes 08m 11s
Eliminating crackles and digital clicks 05m 30s
Taming plosives and sibilance 06m 10s
Reducing broadband noise 09m 26s
Conforming to video changes 08m 36s
Pitch shifting for effect or utility, TC expansion 07m 12s
56m 19s
7. Mixing Audio for Video
Setting up for stereo mixing 05m 11s
Calibrating levels using an SPL meter 07m 02s
Mixing with automation 11m 04s
Advanced mix automation 08m 00s
Automating plug-in parameters 09m 22s
Mixing with reverb 07m 20s
Ducking techniques 08m 20s
42m 04s
8. Working in Surround
Setting up a surround mix template 11m 14s
Calibrating for 5.1 surround mixing and bass management 09m 02s
Mixing and spatial techniques for 5.1 surround 14m 09s
Downmixing, encoding, and using Neyrinck plug-ins 03m 38s
Automating techniques for 5.1 surround mixes 04m 01s
10m 06s
9. Preparing for Final Delivery
Print mastering and stem mixes 05m 47s
Mastering delivery levels and dynamics 04m 19s
05m 29s
10. Backing Up and Archiving
Backing up your final project 05m 29s
00m 18s
Conclusion
Goodbye 00m 18s